In honor of the new Hydra Head Records logo t-shirt, we are announcing the Hydra Head T-Shirt Picture Contest. Basically, we want you to use photoshop (or whatever image manipulation software you prefer) to make a picture of someone or something wearing the Hydra Head logo t-shirt, like this but better:
Whoever we choose as the best (probably most hilarious) submission wins the Hydra Head shirt plus whatever miscellaneous goodies we decide to throw in.
TO ENTER: Email your submission to infoAThydraheadDOTcom with the subject line HYDRA HEAD SHIRT PICTURE CONTEST. Picture should be a jpeg and no larger than 600 pixels in either direction.
Submissions must arrive before we pick the winner on Monday, December 4th. No purchase necessary.
Monday, November 28, 2011
Hydra Head Recs. Logo T-shirt
So, it's Cyber Monday, we are all wiped out from selling heaps of our Black Friday releases (see previous post) and buying Nerf guns and comic books on our Thanksgiving road trips. That means we are going to keep it simple.
We do that by unveiling the brand-new, straight forward, classic Hydra Head Recs. logo t-shirt.
Just think how good this will look with those jeans you have never washed, and those shoes that kind of hurt your feet. Can you imagine all the attractive eyes and hands this magical garment will draw to you? It is like a tractor beam for good looking people with good taste. This is your new secret fashion weapon.
We do that by unveiling the brand-new, straight forward, classic Hydra Head Recs. logo t-shirt.
Just think how good this will look with those jeans you have never washed, and those shoes that kind of hurt your feet. Can you imagine all the attractive eyes and hands this magical garment will draw to you? It is like a tractor beam for good looking people with good taste. This is your new secret fashion weapon.
Labels:
cyber monday,
fashion,
hydra head,
hydra head records,
records,
shirt,
t-shirt
Wednesday, November 23, 2011
Record Store Day Black Friday
This Friday, November 25th, is the slated release date for several Hydra Head titles:
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| BLACK FACE - I Want to Kill You b/w Monster 7" |
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| HELMS ALEE - Weatherhead Cassette (previously only available from the band on tour) |
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| OLD MAN GLOOM - Christmas Eve I & II + 6 + Live in NYC LP |
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| PYRAMIDS / HORSEBACK - A Throne Without a King LP+7" |
Unfortunately due to some delays, some stores will not have received OLD MAN GLOOM or PYRAMIDS / HORSEBACK in time for Record Store Day Black Friday, but check back in the next week or two.
If you are in the Los Angeles area, come by VACATION VINYL on Friday. In addition to all four Hydra Head titles (probably the only store to have PYRAMIDS / HORSEBACK available on Friday) and piles of other RSD releases, we will be giving away free Hydra Head promo CDs, posters, and stickers. Also, we may or may not have a stack of HHR Test Presses for sale.
Here is a partial list of stores who have ordered HHR Black Friday releases:
1-2-3-4 Go! Records2nd Avenue Records
641 RPM
Albums On The Hill
Amoeba Music Berkeley
Amoeba Music Hollywood
Amoeba Music San Fran
Angelo's CD's & Tapes
Apop Records
Aquarius Records
Bent Crayon
BK Music
Bleecker Street Records
BooBoo Records-San Luis Obispo
Bop Shop Records
Bull Moose Music
Cactus Music
CD Alley Chapel Hill
CD Central
Chaz's Bull City Records
Co-op Records Clinton
Criminal Records
Culture Shock Records
Dave's Records
Dearborn Music
Decatur CD's
Dimple Records
Disc Exchange
Ear Candy
Earshot Music - Laurens
Earshot Music - Winston-Salem
Earwax Records - Brooklyn
Easy Street Records
Electric Fetus One Stop HQ
End of An Ear
Euclid Records
Everybody's Records
Everyday Music
Extreme Noise Records
Flat Black and Circular
Forever Young
Four Thousand Holes
Generation Records
Good Records
Gotham Distributing
Grimey's
Harvest Records
Homer's Records
Horizon
House of Records
Independent Records
Indy CD and Vinyl
J & R Music World
Jack's Music Shoppe
Ka-CHUNK Records
Kim's Video & Music
Landlocked Music
Luna MusicLunchbox
M-Theory
Mad Platter-Riverside
Magnoliathunderpussy
Melody Record Shop Inc.
Monster Music & Movies
Music Millennium
Neat Neat Neat Records and Mus
Newbury Comics HQ
Offbeat Music, Ltd.
Origami (LA)
Other Music
Parasol Records
Park Ave. CD's
Paul's Compact Discs
Phono Select Records
Princeton Record Exchange
Pure Pop Records
Radio-Active Records
Ramalama Records
Rasputin Music HQ
Reckless Records - Loop
Reckless Records- Wicker Park
Reckless Records-Broadway
Record Archive
Record Breakers -Chicago
Record Den
Record Exchange Boise
Repo Records
Rhino Records Claremont
Rockaway Records
Salzer's
Second Hand Tunes
SG Distributing-Gray Whale CD
Shake It
Sig's Lagoon
Size Records
Sonic Boom Records-WA
SOS Music
Sound Fix Records
Sound Garden Baltimore
Spoonful Records
Static Age Records
Steady Sounds Record Store
Stinkweeds-Phoenix
Street Corner Music
Streetlight - Santa Cruz
Strictly Discs
Sweat Records
The Exclusive Co.
Treehouse Records
Twist & Shout
Underground Sounds
Vacation Vinyl
Vintage Vinyl Fords
Vinyl Collective
Waiting Room Records
Waterloo
Wax N' Facts
Wax Trax Main Store HQ
Young Ones
Zia Enterprises, Inc.
Stores, let us know in the comments if you should be on this list.
Wednesday, November 02, 2011
PYRAMIDS / HORSEBACK - A Throne Without a King LP+7"/CS
HYH-229
PYRAMIDS / HORSEBACK
A Throne Without a King
LP+7" / CS
November 25th, 2011
(CD - January 24th, 2012)
In our current climate of exponentially expanding micro-genres and sub-sub-niches, we're usually only a few mouse clicks away from finding or assigning a particular tag to any given musical artist. In instances when a group or solo musician seems to have hit upon a sound that hasn't already been neatly classified, it seems there's a whole host of anxious internetters just waiting to cobble together a set of hyphenated words to quickly solidify the identity of the unruly artist. Though both Pyramids and Horseback have existed now for what seems like eons by modern standards (you know, at least three or more years), astonishingly neither has been saddled with a lasting classification for the sounds they make. Whether this is due to their constantly shifting approach to compositional technique with each successive release, their fluctuating membership, or simply the fact that their not borrowing exclusively from any one source, it seems one thing is certain: both have succeeded in making music that is singularly their own, while also possessing a deeply affective humanity, initially alienating though it might appear.
Now that these two entities have combined forces for "A Throne Without a King", a new set of questions is raised in through its realization. Firstly, is it a split or a collaboration? Well, it's both - the album includes one new song from each individual group, as well as a long-form collaborative piece involving all personnel from Horseback and Pyramids playing together. Over the course of the three tracks that comprise the set the music ranges through territories of frenzied blasting, sonorous melody, arrhythmic clattering, frenetic riffing, frozen howls, and uneasy quiet. Horseback offers up the most recognizably structured piece of the three, a scabrous black metal weave, threaded through with a distinctly American twang. On their solo adventure Pyramids force together incongruent bits of hammering drum machine, screeching metallic textures and harmonious snippets of spacious piano into one implausibly seamless whole.
Strong as the preceding pieces are, it is the massive forty five minute collaborative piece that is really the centerpiece of the entire project - a sprawling mass of sonic moss, mud, concrete and galvanic crackle. Incorporating harsh electronics, buzzing swaths of guitar, low pulsing drones, improvised percussion and spectral voices issued from a distant universe, the "song" is a perfect synthesis of the diverse musical personalities involved in its creation. Though it could be inaptly described as any number wildly different types of music, like the parent groups that have channeled its chaotic essence into a tangible living form, it is a beast of unique nature - at once beguiling, terrifying and completely immersive. A more successful pairing of experimental-metal-drone-ambient-krautish-noise-rock collaborators you are unlikely to find, in our reality or any of its parallel relatives.
LP+7” TRACKLISTING _____________________________________________________________________
Pyramids / Horseback
Side A: 7"
1. Pyramids 'Phaedra's Love' : 6:45
Side B: 7"
2. Horseback 'Thee Cult of Henry Flynt' : 7:00
Pyramids + Horseback
Side C: LP
3. 'A Throne Without a King pt 1' : 8:54
4. 'A Throne Without a King pt 2' : 13:06
Side D: LP
5. 'A Throne Without a King pt 3' : 9:47
6. 'A Throne Without a King pt 4' : 13:52
CD/CS TRACKLISTING _____________________________________________________________________
1. Pyramids 'Phaedra's Love' : 6:45
2. Horseback 'Thee Cult of Henry Flynt' : 7:00
3. Pyramids + Horseback 'A Throne Without a King pt 1' : 8:54
4. Pyramids + Horseback 'A Throne Without a King pt 2' : 13:06
5. Pyramids + Horseback 'A Throne Without a King pt 3' : 9:47
6. Pyramids + Horseback 'A Throne Without a King pt 4' : 13:52
OLD MAN GLOOM - Christmas Eve I & II + 6 + Live in NYC
TR-027-1
OLD MAN GLOOM
Christmas Eve I & II + 6 + Live in NYC
12"
November 25th, 2011
Available in stores on Record Store Day - Black Friday (Webstore Pre-Order Sold Out!)
Pre-Order Exclusive Shirt still available
OLD MAN GLOOM
Christmas Eve I & II + 6 + Live in NYC
12"
November 25th, 2011
Available in stores on Record Store Day - Black Friday (Webstore Pre-Order Sold Out!)
Pre-Order Exclusive Shirt still available
So, Old Man Gloom is milking old material for another "new" release, that's what you're thinking right? And you're also wondering why you should shell out a portion of your not-so-hard earned cash in exchange for an item manufactured with the sole intent of making more money for an already wealthy group of individuals, yes? You want to know why? Because, whether you realize it or not, Old Man Gloom is the best band on the planet, hands down; and if we shit in a bucket and threw it in the presses at the vinyl manufacturing plant it would still merit purchasing. And you know what else? Even our mossy turds are better than 99.9% of the other "music" that's floating around out there. This is not idle boasting, this is fact, based on sound scientific research conducted by the head technicians at the OMG Institute for Simian Alien Technology. After centuries of forethought and developmental planning, the Institute has produced one ground breaking document after another over the last decade, and humanity has benefitted greatly as a result. Truth be told though, the figures behind OMG have not worked together in the same facility for the past eight and half years, simply because of the collective realization that, even now, so many years after the initial publication of our works, no one outside the interior group has been able to fully comprehend those massive feats of intellect and creative ingenuity (see articles i-v: "meditations in b", "seminars ll & lll" , "christmas eve l & ll + 6" [previous digital 3" compact disc and analog 2x7" vinyl versions], and finally the simply and aptly titled "christmas"). While it seems some recipients of these documents have been able to grasp the general themes addressed therein, many, if not all of the nuances and fastidiously constructed details continue to elude and confound the average (and even above average), intellect of today's global citizen, no matter their background training or level of education. This is a sad truth, only too apparent to we the creators of the aforementioned documents, but despite this, the members of the Institute continue to hold out hope that with enough persistence, educational presentations, and continued dissemination of past documents in various formats and incarnations, that one day humanity will finally be able to grasp the full scope and meaning of our work. Though the OMG team has not been fully assembled in any cohesive form since late 2003, the strength and force of our collective will has only grown in the interim and shows no signs of dissipating. We all have continued to develop new theoretical hypotheses and developmental projects individually, as well as in other cooperative collectives, though the results of such efforts are dwarfed by the formidable shadow cast by the incomparable output of our assembled whole. Be that as it may, we have opted to continue our work separately until such time for reassembly is deemed appropriate. This could be tomorrow, it could be 10 years from now, but whatever the case, rest assured that OMG will always retain the ultimate goal of the betterment of society and the global community at the forefront of their collective consciousness. …
Tracklisting:
Side A
1. Christmas Eve Part I
2. A.L.F. Makes Accident, Or The Slow Advance Of The Now Liberated, But Virally Contagious Chimps
3. Skull Of Geronimo
4. Masami's Music Box I
5. Branch Breaker (Live In NYC)
6. Masami's Music Box 2
7. Christmas Eve Part II
8. Gratuitous Bonus Track Made By Sensible Musicians Doing Questionable Things
Side B "Live at Brownies in NYC"
9. Zozobra (excerpt)
10. Skullstorm
11. Branch Breaker
12. Sonic Wave of Bees
13. Rape Athena
14. Flood II
15. Afraid Of....
16. Hot Salvation
17. Jaws of the Lion
1000pcs on Light Blue, Black, or Yellow colored vinyl
Available in stores on Record Store Day - Black Friday (Webstore Pre-Order Sold Out!)
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| Old Man Gloom: Christmas Eve Girls T-Shirt Pre-Order |
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| Old Man Gloom: Christmas Eve T-Shirt Pre-Order |
BLACK FACE - 'I Want to Kill You b/w Monster' 7"
HYH-223-1
BLACK FACE
I Want to Kill You b/w Monster
7"
November 25th, 2011
It would be hard to approach the subject of Black Face without first discussing the history of the individuals that comprise the band. The legacy of the players involved and their impact on hardcore and heavy music in general is undeniable - Chuck Dukowski, founding member of Black Flag, founder of SST records, and more; Eugene Robinson, founding member of Oxbow, Whipping Boy, author, professional journalist and fighter; Tom Dobrov, original drummer for Oxbow and The Stiffs; and relative newcomer Milo Gonzalez of contemporary rabble rousers Insects vs. Robots, and The Chuck Dukowski Sextet. Though the stature of all involved is considerable, it is Chuck's tenure in Black Flag and his contributions to the song writing process thereof that relate most directly to the form and content of Black Face itself.
Having been a crucial component of what is arguably the most vital period of Black Flag's existence (from inception, to the classic Damaged album, and up through the prototypical noise-metal landmark My War for which he penned the title track), Chuck is a veritable forefather in the history of American hardcore. Though responsible for many key tracks in their catalog, the aforementioned "My War", along with classics like "Spraypaint", "What I See", and "Padded Cell"; there is an additional angle of Chuck's time in Black Flag which relates directly to the musical content of Black Face. Aside from tunes written for and recorded by Black Flag, Dukowski also wrote a number of songs during the same era which never made it to tape. These songs have since lingered on in notebooks and memory waiting for the right vehicle to give them form - and now 20+ years later they have finally been brought to life with the requisite energy and gut punching emotion that drove home the finely honed point of early Black Flag.
As an introduction to the band the lead off track on the debut single, "I Want to Kill You" serves as an appropriately violent first round. Comprised of cascading shards of angular guitars, stuttering figures of bass/drum interplay, topped off with Robinson's insistently murderous diatribe, the track feels at once vintage and refreshingly present. Though many have imitated this approach to songcraft in the decades since it first ripped forth from the ether, it's clear from the first dour notes of the song that none have surpassed the progenitors in their singular intensity. Following the A side's introductory battery is a sprawling beast aptly titled "Monster", a potentially polarizing track not unlike Black Flag's early forays into the realms of abstract and obtuse psychedelic punk. Though more subdued in pace and tone, the track proves no less menacing than its predecessor - a not-so-welcoming doorway into a dimly lit world of treachery and unrelenting pain. There is no overtly obvious catharsis in these tracks, no glorious climax, only sustained tension and the promise of greater horrors waiting at every further turn into the darkness. If this is a re-beginning for Dukowski and co, it sounds like a grisly end for the rest of us.
TOM DOBROV: drums
CHUCK DUKOWSKI: bass
MILO GONZALEZ: guitar
EUGENE S. ROBINSON: voice
2000 pcs on Black, Grey, White, and Mystery colored vinyl
Pitchfork names PRURIENT - "Time's Arrow" Best New Music
Pitchfork named the title track off of PRURIENT - Time's Arrow a Best New Track. You can read the review and stream it over at Pitchfork.
Time's Arrow is in stores now on 12" and Cassette (CD Maxi-single coming soon), and available digitally at the new PRURIENT Bandcamp page (administered by Hydra Head).
Labels:
best new music,
cold cave,
dominick fernow,
hydra head,
pitchfork,
Prurient,
time's arrow
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