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Showing posts with label The VSS. Show all posts
The amazingly comprehensive blog Pukekos has just posted a MASSIVE archive of live soundboard recordings from three shows at Gilman Street, plus all of the 7" EPs with artwork as well as several fliers and posters of The VSS. It's a free download. "Sonny Kay was a fixture of the DIY community in those days. He was at just about every Gilman show with crates of records from his Bottlenekk distro, selling singles and LPs by bands that you would probably never find unless you combed the ads in HeartattaCk (or went across the bay to Epicenter, but if you weren't a volunteer you would often find the record you were looking for was sold out). I still remember the first item I purchased from him -- The Make-Up's Destination: Love - Live! At Cold Rice -- which he was nice enough to sell me despite the fact that I was a dollar short. It was 1996 and although I had been going to shows for a little while, I hadn't really met or talked to anyone in the bands before. It excited me to actually meet and talk to someone whose music I admired, and consequently I have adopted the habit of approaching people whose work inspires me. Through the course of doing research for this post, I found myself exchanging a few emails with Mr. Kay. I asked him if he had a story to tell about The VSS, and he said that he did: "Anytime anyone asks for something anecdotal about The VSS, I usually wind up telling this story....." Read the rest and download here
“why are we not perfect probably one of the most under-rated albums of the year. i love jesu and i love this album.” – Cowblogs from Hell “Jesu have always confounded me a bit. I ended up seeing Jesu with Heath a couple years ago now when they were opening for Isis at Irving and had a hard time reconciling the music I was hearing against the Godflesh and Napalm Death shows I had seen in years past”- Jaded Scenester NYC
“You get the feeling that the title of this latest EP is a question that nags at Jesu mastermind Justin Broadrick. Judging by his sheer tonnage of output, you can sense that he may be trying to reach creative enlightenment by pouring out an unending flow of music. Seriously, by the time you’re done reading this, a new Jesu EP/split/remix album will probably have been released. But with a track record as spotless as Broadrick’s, it’s tough to complain about his unyielding desire to drop music on our heads.”- Plug In
"the VSS is like a secret handshake. Namedropping the act locally will likely solicit one of two responses: a blank stare or the giddy recognition of a long-lost sibling. Since its breakup in 1997, the band has developed an underground following of rock cult elitists and purist vinyl collectors"- Decider Denver
Check out the just-published interview between An Albatross’ Jay Hudak and former VSS members Dave Clifford and Josh Hughes in support of the band’s recent reissue of the legendary Nervous Circuits album. The interview is crazy in depth, so make sure your boss isn't around if you are on the clock.
Back in 1997, we were all crammed into A. Ron Turner’s apartment back in Boston, talking about the first Miltown seven-inch like it just gave us a reach-around in the men’s room. On the other side of the country—San Francisco, to be precise—four dudes we’d never met put out a record called Nervous Circuits. Originally released on Honey Bear Records, the album unveiled the kind of punked-up robotic noise and feverish melodies that anticipated the vast and varied keyboard-enhanced punk/rock stylings of These Arms Are Snakes, The Faint and Death From Above 1979. Featuring former Angel Hair members Sonny Kay (vocals) and Joshua Hughes (guitar) alongside bassist/keyboardist Andrew Rothbard and drummer Dave Clifford, The VSS filtered Black Flag’s nihilism through a litany of crooks, hooks, edges and angularities (and their own light show, as seen on the bonus live DVD) to create “an environment of total saturation of sound, light and motion.” It was our kind of shit, but we just didn’t know it yet. And then the fuckers had to go and break up—before forming Pleasure Forever (Clifford, Rothbard, Hughes), Year Future (Kay) and Gold Standard Laboratories (Kay). But hey—thank Christ for reissues.A brief history and disclaimer:
The VSS began in Boulder, Colorado in January 1995 and ended unceremoniously in July 1997. In that time the band relocated to San Francisco, toured the U.S. twice and Europe/UK once, released a series of 7-inch EPs and issued Nervous Circuits, its only full length album. It was recorded and mixed over the course of one week of sessions (usually lasting upwards of 16-hours per day) in October 1996 at the same Denver studio in which The VSS recorded its debut EP. Tracking of Nervous Circuits began on a Monday morning and the last mix was completed that Friday (Halloween) at midnight. The band then raced across town to play a late-night show that was one the most intense and unhinged performances of its brief tenure.
To this day, The VSS is commonly known for two things, 1) its inventive use of horror-film keyboards, angular guitar, unusual rhythmic shifts and vocal effects in creating a dark, jarring sound that merged punk, goth, psychedelia and experimental rock, and 2) its "crazy" light show, an unprecedented notion for the underground basement show set. These two components are said to be influential on the aesthetics of myriad bands to follow in the decade since the band's demise. Of course, the synthesizer was nothing new in punk rock. However, by the mid-90s, the synthesizer was such anathema to musicians still reveling in the faux-grit of grunge, that to the members of The VSS, adding keyboards to underground noise-punk seemed the perfect prescription for what had become a staggeringly dull scene.
The live footage included on the enclosed bonus DVD has been assembled from VHS tapes traded and distributed by fans over the years. Considering that many of the copies that found their way to us were fifth or perhaps even tenth generation and shot on consumer VHS camcorders at all ages venues, the video content is far from professional. However, we feel that these video clips capture the essence of The VSS aesthetic -- to create an environment of total saturation of sound, light and motion within a realm far distanced from the tedious trappings of arena rock posturing and production values. The footage here represents a good deal of the disorienting, unnerving and cathartic live experience of The VSS... perhaps an essential component to placing Nervous Circuits in context today.
* The VSS members currently play in: Year Future (Kay), Red Sparowes (Clifford), Rabbits (Hughes) and Andrew Douglas Rothbard (solo.)
“Nervous Circuits” CD
1. Death Scene
2. In Miniature
3. Sibling Ascending
4. Effigy
5. Lunar Weight
6. Conscious
7. What Kind of Ticks?
8. Chemical In Chemistry
9. Swift Kicks
10. Nervous Circuits
“The Skin of Tiny Teeth” CD (Bonus Disc/Digital content)
Studio recordings:
1. No Hands
2. Rats
3. Accessory
4. Silt, Etc.
5. Tone Dialer
Live on KZSC radio Santa Cruz, CA:
6. Trajectory
7. Death Scene
8. Swift Kicks
9. In Miniature
10. Sibling Ascending
11. Solid Gold Follower
12. What Kind of Ticks?
13. Lunar Weight
14. Nervous Circuits
DVD contents:
A) Nervous Circuits Tour 1997 (select performances of songs)
1. Death Scene (Fireside Bowl - Chicago)
2. What Kind of Ticks? (Fireside Bowl - Chicago)
3. I'll Wait Right Here* (DUMBO Warehouse - Brooklyn)
4. Swift Kicks (DUMBO Warehouse - Brooklyn)
5. Chemical In Chemistry (Black Cat - DC)
6. Lunar Weight (First Unitarian Church - Philadelphia)
7. Sibling Ascending (The Depot - Boulder)
8. I Cut My Teeth (The Depot - Boulder)
9. Nervous Circuits (The Depot - Boulder)
*Previously unrecorded
B) Full live set: Brooklyn, NY - DUMBO Warehouse
1. What Kind of Ticks?
2. Sibling Ascending
3. Death Scene
4. I'll Wait Right Here
5. Swift Kicks
6.I Cut My Teeth
C) Full live set: Boulder, CO - The Depot
1. Intro
2. What Kind of Ticks?
3. Death Scene
4. Sibling Ascending
5. I Cut My Teeth
6. Swift Kicks
7. Nervous Circuits
D) Full live set: Berkeley, CA - Co-op
1. Swift Kicks
2. What Kind of Ticks?3. Lunar Weight
4. Evolution
E) Slideshow gallery:
1. Photos
2. Fliers
For more information, visit:
www.thevss.com
www.myspace.com/thevssmusic
CLICK HERE to preorderBack in 1997, we were all crammed into A. Ron Turner’s apartment back in Boston, talking about the first Miltown seven-inch like it just gave us a reach-around in the men’s room. On the other side of the country—San Francisco, to be precise—four dudes we’d never met put out a record called “Nervous Circuits”. Originally released on Honey Bear Records, the album unveiled the kind of punked-up robotic noise and feverish melodies that anticipated the vast and varied keyboardenhanced punk/rock stylings of These Arms Are Snakes, The Faint and Death From Above 1979. Featuring former Angel Hair members Sonny Kay (vocals) and Joshua Hughes (guitar) alongside bassist/keyboardist Andrew Rothbard and drummer Dave Clifford, The VSS filtered Black Flag’s nihilism through a litany of crooks, hooks, edges and angularities (and their own light show, as seen on the bonus live DVD) to create “an environment of total saturation of sound, light and motion.” It was our kind of shit, but we just didn’t know it yet. And then the fuckers had to go and break up-before forming Pleasure Forever (Clifford, Rothbard, Hughes), Year Future (Kay) and Gold Standard Laboratories (Kay). But hey—thank Christ for reissues.
This one is a doozy...a CD/DVD reissue of The VSS's "Nervous Circuits" album from an entire decade ago...and its pretty much been out of print the whole time. The CD is remastered, the DVD is loaded with select footage from through out the bands history as well as 3 additional full live sets...and for the first 1000 folks to buy the album they'll get a 14 track bonus disc containing 5 unreleased studio tracks and a 9 song live set.
Pre-order today and not only will you secure the limited (only 1,000) bonus disc, but also the option to add a VSS t-shirt, girl's shirt (who loves ya ladies), pullover hoodie, or heck all 3!