
Thursday, February 25, 2010
Stephen Brodsky Announces New Limited Release Full Length Album, "Here's to the Future," Out March 23rd on Hydra Head!

Kay Dot: Toby Driver Interview On Noisecreep

Even though most of the musicians Driver initially booked cancelled their shows for various reasons, he is still happy with all the shows. "It's weird because a lot of curators don't show up to their shows. But I just feel like, man, I just want to book stuff that I want to see," Driver said.
Wednesday, February 24, 2010
Xasthur "2005 Demo" & Hayaino Daisuki "The Invincible Gate Mind of the Infernal Fire Hell" Out Now!

If you're into Burzum-esque lo-fi black metal, and like... who isn't, then you're already a massive Xasthur fan... And so, you're already overwhelmingly aware of the fact that no outfit or individual in the Black Metal community, absolutely no one, is capable of reflecting and drawing the listener in to such a near tangible presence of distress... TheXasthur record in question, 2005 Demo, is two lost, completed demo tracks that were recorded prior to the time of Subliminal Genocide... and, in a sense, these two previously unavailable recordings come across like a much belated extension of Subliminal Genocide. Buy "2005 Demo" here!
Friday, February 19, 2010
Eugene S. Robinson Announces Live Reading Appearances in Support of Debut Novel, "A Long Slow Screw!"

On top of the most likely irrelevant stream of consciousness you hopefully struggled through before you got to this sentence, Eugene S. Robinson as an author is as riveting as his stage presence with the long standing noise rock outfit Oxbow... All things said, on the dates listed below Eugene will be reading from his recent publication A Long Slow Screw, so any and all onlookers are guaranteed the best of both worlds! sidenote: unless prompted Eugene will be keeping his pants on during these readings, so it's slightly safer to bring your significant other to this little get together when compared to a live Oxbow set. Enjoy!

Eugene S. Robinson reads from "A Long Slow Screw"
Eugene S. Robinson Live!
02/20/2010 Los Angeles, CA @ Sherwood Magazines (reading will begin at 4:30 PM)
02/20/2010 Los Angeles, CA @ Relax Bar
02/26/2010 New York, NY @ The Stone (8pm) Eugene Robinson and members of Psychic TV present readings from A long Slow Screw
02/26/2010 New York, NY @ The Stone (10pm) Oxbow Acoustic!
03/11/2010 Oakland, CA @ Ghost Town Gallery
Thursday, February 18, 2010
Kayo Dot: Download Whisper Ineffable @ The Village Voice!

Download "Whisper Ineffable" by Kayo Dot, and read The Village Voice's interview w/ frontman Toby Driver, here!
Coyote is a 40-minute narrative composition that swirls with cooing violins, whining trumpets, jangling xylophones, and haunting blasts of cosmic debris--easily their most cohesive, heavy-hitting and best album yet. Influenced by early '80s goth and Herbie Hancock's more psychedelic excursions, Coyote is a mini-suite that's at once punishing, sad and gloriously free. - The Village Voice

Tracklist for Coyote
I. Calonyction Girl
II. Whisper Ineffable
III. Abyss Hinge 1: Sleeping Birds Sighing In Roscolux
IV. Abyss Hinge 2: The Shrinking Armature
V. Cartogram Out Of Phase
Kayo Dot Live!
2/21 @ The Stone
Toby Driver (Kayo Dot) and Charlie Looker (Extra Life) Improvised Electric Guitar Duos
3/12 @ Issue Project Room
Tartar Lamb II (featuring all members of Kayo Dot)
3/19 @ McCarren Hall
Tartar Lamb II (featuring all members of Kayo Dot)
4/10 @ Blot Spot, Binghamton NY
Kayo Dot plays Coyote
4/11 @ Union Pool, Brooklyn
Kayo Dot plays Coyote
4/12 @ Whitson Greeting Hall, SUNY Puchase
Kayo Dot plays Coyote
Wednesday, February 17, 2010
Torche: Announce US Tour w/ Coheed and Cambria and Circa Survive!

Tuesday, February 16, 2010
Xasthur: Streaming Track From Upcoming Demo 2005 @ Chronic Youth
Remember how on February 23rd 2010 Hydra Head is releasing some previously unreleased Xasthur hits on CD (and soon enough, we promise, on 12")?... Well Chronic Youth, a most excellent music site, was kind enough to offer individuals in desperate need of a little Xasthur fix a bit of a preview... Hayaino Daisuki: Leak Track From "The Invincible Gate Mind of The Infernal Fire Hell, or Did You Mean Hawaii Daisuki?"

Friday, February 12, 2010
Xasthur: 2005 Demo CD Pre-Order Up On The HH Webstore!


Wednesday, February 10, 2010

Tuesday, February 09, 2010
Hayaino Daisuki: Invincible Gate Mind of the Infernal Fire Hell or did you mean Hawaii Daisuki? PRE-ORDER!!!

Harvey Milk On Revolver TV
The members of Georgia sludge-metal crew discuss how they formed, what it's like being a heavy band from the South, and offer a glimpse of what people should expect at Scion Rock Fest 2010 in the video below.Daughters "s/t" Pre-Order Is Up And Running!

Monday, February 08, 2010
Pyramids: Feature In New Rock A Rolla!
Dudes, Friday, February 05, 2010
Rick Smith's (Torche) Top Ten of 2009
2. Indian food all over the world
3. Double drumming with Mogwai @ Furiasound
4. St. Dad "Keep it in your Pants" demo tape
5. Fusion Fest in Larz, Germany
6. 1980 Puch moped
7. Melt Banana live + shrooms
8. Monotonix live, always
9. Being flown out to play festivals on weekends
10. Asshole Parade + American Cheeseburger + Religious As Fuck @ Market Street Pub
Wednesday, February 03, 2010
Daughters: "s/t" CD/LP Trailer
Tuesday, February 02, 2010
Harvey Milk: "s/t" Review @ Aquarius Records!

It's kind of a no brainer around here, a new Harvey Milk is cause for much rejoicing, and often means shoo-in for Record Of The Week. What can we say? We LOVE these guys. Perhaps one of our favorite heavy weirdo sludge bands ever. Andee even released their legendary Courtesy And Goodwill Toward Men on his tUMULt label, before Relapse swooped in and snatched it up. NO ONE sounds like Harvey Milk, NO ONE, and it's ironic that pretty much every band these days wants to, cuz they've sounded the same for years and years and remained patently unpopular almost the whole time.
As if to drive that fact home (not the unpopular fact, the 'always sounded like this' fact), here's the Harvey Milk holy grail, the original debut record, recorded by Bob Weston in the early nineties, after which the band took it home and promptly lost it. And lost it remained, barring a few dubious and crap sounding bootlegs, and more recently some posted downloads of the same crappy recordings. Since folks were gonna listen to it anyway, the band figured what the fuck, they oughta take the best sounding tape they had, and get it all remastered and gussied up and released properly. And voila, the long lost self titled Harvey Milk record, featuring on its cover, perhaps THE tape where it all started.
Fair warning to the uninitiated, lots of these songs were reworked and re-recorded for other albums, this record was lost after all, so a bunch of these, in altered forms, made it onto My Love, Courtesy, the Kelly Sessions, but it's a gas to hear them here, rough and raw, in some cases dramatically different than their later versions, but that probably only matters to HM newbies, the cult of HM (ourselves included) are a dedicated and obsessed bunch, and even though we have most of these songs, we HAD to have it, and odds are a lot of you will feel the same. Plus, we have to say, the rough and raw recording definitely suits these jams. And the sound, so heavy and punishing, it's hard to imagine what folks thought of these guys back in the day, not very much we'd imagine. This crushing difficult heaviness, exactly what made them our immediate favorite band from first listen is precisely what turns off most other folks.
But if you've made it this far, we'll assume you, like us, have a think for Harvey Milk. And thus, you NEED this, everything about HM that you love is already fully formed even nearly 20 years ago, the crushing glacial pummel, the killer drum pound, the impossibly slow and yet ultra complex arrangements, the insanely emotive howled vocals, it's like these guys emerged fully formed from the band womb.
But a quick whip through the tracks should sway any nonbeliever, "Merlin Is Magic" is an epic melodic sludge prog masterpiece, with weirdly melodic vocals, and lurching hypnotic arrangement, "Dating Pressures" is total classic noiserock, laced with downtuned chug, pounding drum damage, but all Milked up with a howling vocal, and some lurching convoluted progginess, "Plastic Eggs" is the quintessential Milk slow motion doomjam, so slow, so anguished, so heavy, "Anthem" is downright jangly, but still a crushing bruiser, fuck it, you should know by now that this is essential, if you already dig the band, you're gonna go nuts for this, if you've never heard HM before, we might recommend Courtesy or My Love first, but at the same time, we can't imagine anyone listening to this, and not losing their shit and becoming immediately obsessed, and if for some reason, a person did hear this and was not utterly blown away, well, then we think the problem must be you!
Cool mini, lp style sleeve, with a simple photo of a (THE?) Harvey Milk cassette on the cover, the inside sleeve with liner notes on one side and a picture of the Milk van on the other, and last but not least, a mini reproduction of what looks like a promotional HM photo, complete with 'For booking call:' info, which is hilarious whether it's a joke or not.
Daughters: Announce New "s/t" Album Out March 9th on Hydra Head

Just when you get to the age where sitting in traffic and switching back and forth from the conservative to the liberal talk radio station sounds more appealing then sifting through the bush-league releases of the day, Daughters comes through with an untouchable new record absolutely snuffing out your now-so-surly being. Bumper to bumper, late for work, window down and more and more your thinking that a cigarette and a beer coupled with these stellar jams would end all right now!
Because that is exactly the kind of record Daughters' s/t is, the kind you can't stop turning up... The kind that satisfies every cultural / musical requisite a critical listener possesses while simultaneously reinventing the wheel... The kind that's so immediately gratifying that you don't even bother to compare your instincts with what today's internet has to say... The kind you won't have to remove from your automobile's CD player for months on end...
None of that, “this band is my fine art project, musicianship is secondary because I am an artist foremost” garbage included... This is what the dudes in Daughters do and that fact has never been more apparent than in this record... Because, this time around, they absolutely nailed it! s/t is a ten.

Daughters s/t Tracklist
1. The Virgin
2. The First Supper
3. The Hit
4. The Theatre Goer
5. Our Queens (One Is Many, Many Are One)
6. The Dead Singer
7. Sweet Georgia Brom
8. The Unattractive, Portable Head
Monday, February 01, 2010
Justin Foley's (The Austerity Program) Top Ten of 2009

Before you read Justin's Top Ten, we just wanted to remind you all that on 05/04 Hydra Head will be releasing a new Austerity Program Cdep/12." The title of the Cdep is: "Backsliders and Apostates Will Burn." Also available for purchase on release date is a data DVD containing all of the recordings that make up the songs on the release... Ready to be remixed, and or the like.
Justin Foley's Top Ten of 2009:
Ten recording improvements we did on the new record compared to the old record
WARNING – GEEKY AS ALL HELL
(If Hell was a place where people get physically excited looking at pictures of analog tape machines)(which is probably what my wife thinks it is)
Delaying room mics by 20 seconds. This made the ambient sound clearer, but not artificially so. Big up to the New Stereo Soundbook.
Using a mid/side configuration for the ambient sound. Provided a dramatically wide stereo image. Especially satisfying on drums (or, in our case, the drum machine).
Running the drum machine through an FMR-RNP preamp. Actually, any quality preamp would be good. That thing didn’t have enough gain to print well to tape and we used our board’s gain. Much better this way.
Recording drums to tape, then doing guitar and bass live while playing the drum machine through the PA. This created some tricky punch-ins, but allowed us to be more flexible on the relative direct/ambient sound.
Bring the room sound way up. While we were mixing it, it sounded like we were pushing it too far. Having listened to it about 60 times since then, it’s the right amount. Live sounding, but not hollow.
Mastering the vinyl to 45 rpm. We haven’t done any 12” vinyl before, but the lacquer refs from Golden sound like (as T Midgett from Silkworm/Bottomless Pit has told me) the ‘archival format’. And black vinyl only because we care what the fucking thing sounds like.
Using the Trongraphic Rusty Box for the bass preamp. More hi/mid aggression than the Ampeg we’d been using before.
Placing two ribbon mics on the guitar cabinet. Actually, three mics as we bi-amp the guitar and had an Earthworks omni on the low cabinet. But most of the signal information happens on the high end and blending the brighter beyer M160 with the kind-of-scary Royer 121 was really a treat to hear. Hope you like it because we’ll be doing the guitar with that until we die.
Comping vocal demos to nail the phrasing. It made me feel like Billy “Bozo the Clown” Corgan to be this clinical, but it definitely helped when it came time to actually sing the songs. Record a line, play back, record it again, play back, etc. until the line was finally right.
Bike commuting through Manhattan on a fixed gear. Ok, this probably had nothing to do with the recording but it’s made such an improvement in my life that it’s gotta play into it somehow. Geez is it fun – I get to be in a human video game twice a day.
Kayo Dot: Toby Driver Interview @ Brooklyn Vegan!

BV: Kayo Dot is very expansive with multiple different directional shifts and styles, and Coyote definitely has moments where I am reminded of Scott Walker and Goblin, along with some avant-jazz stylings. What is your current musical inspiration going into this project?
Toby Driver: On this one, I wanted to use the aesthetic of 80's art-goth electric bass - bridge picking, lots of chorus, and frequent use of the open G string - in the context of modern-composition as opposed to straight-up riffs. The two main bands that influenced my perception of that sound were The Cure and Faith And The Muse. Melodically, I was influenced by the amazing trumpet tone of local composer Tim Byrnes, the soprano sax playing of another of our local composers, Matthew Welch, and then the Mujician and/or Ornette sax/trumpet unison duets of the 60s. The darkScott Walker you hear is definitely intentional, and I think the Goblin is just a result of the gear we used (Korg Poly6 in this case). I'm trying to reclaim goth for those of us who love the aesthetic but want something more sophisticated. We all were reading the Vertigo comic "House of Mystery" while in session, too. ha!?



